Furious Fiction

So here we all are. Strange times, eh? I hope everyone is keeping well and finding their own way that works through all of this.

Today’s post is about a competition I entered back at the start of March, when things felt very different. I’d forgotten all about it until yesterday when I saw the results, but finding out I’d been shortlisted was a much-needed boost at a time when regular writing rhythms feel a little out of reach.

This was my first time entering the Australian Writers’ Centre 55-hour Furious Fiction competition and it was great fun, despite a slight cock-up on the time difference / computer refresh front, which meant I only made the deadline with minutes to spare!

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This month’s challenge called for a 500 word flash fiction that included a park, a mirror and someone in disguise. I thought I might share my entry, ‘And the Prize for Best Parent Goes to…’ here, for any stressed parents looking for a spot of light relief from the challenges of home-schooling. And if you’d like to find out more about the competition and sign up ready for next month’s challenge (Friday 3rd April) you can do that here and here. Good luck!


And the Prize for Best Parent Goes to…

A tree? Effie couldn’t believe it when he brought the note home. What kind of half-assed non-part was that to give a kid? Especially a kid with Caleb’s natural acting talent and artistic flair. Since when was a tree part of the Nativity anyway? But that was last week. If life’s taught Effie anything, it’s the importance of working with what you’ve been given.  

            “They’ll be sorry when you’re up there collecting your Oscar,” she tells him, zipping him into the hand-sewn trunk. “Breathe in now, there’s a good boy. Yes I know it’s tight. It’s meant to be tight. When did you last see a baggy tree?”

            “I’m hungry,” says Caleb. “Please can I have an ice cream? Daddy always buys me ice creams when we come to the park.”

            Yes, that’s exactly the sort of lazy parenting I’d expect from your father. I don’t see him helping you prepare for your acting debut.

“An ice cream?” says Effie out loud, laughing it off as she lifts the hand-sewn wire-threaded branch ensemble over his head. “Don’t be silly. Trees don’t eat ice creams, do they? Hands up now, through the holes… No, you need to keep them up. High up in the air, that’s it.  Stretching up like tall branches reaching for the sky.” When was the last time Daddy did any method acting with you, huh? 

“But my arms hurt.”

“They’re not arms, Caleb, they’re branches, remember?  Come on, if you’re going to be the best tree Glenlake Primary has ever seen then you need to start thinking like a tree.  Think strong and majestic. Think rooted. Think…”

“I could think about my treehouse. Daddy says he’ll help me build one at his house.”

“Does he now? It sounds like I’ll be having words with Daddy next time I see him… Anyway, no, that’s not what I mean. Think foliage. Think respiration. ”

“My fingers feel funny. All fizzy and prickly.”

“You mean your leaves feel funny. Don’t worry about that, that’s just the er… the photosynthesis. Right, you stay here with the other trees and practise. Mummy will be just over there on the bench, watching. Watching to see how tall and still you can be for the next twenty minutes. How tree-like. We’ll show those teachers what real acting looks like, won’t we?”

The bench faces the other way, but that’s okay. Effie’s already thought of that. Her compact mirror offers the perfect view of her perfect little tree.

That’s it. Good boy. Keep it up – just like that. Anyone can do angels and innkeepers, but a tree? That takes proper skill.

“Mummy. There’s a dog.”

“Don’t worry, sweetheart, trees aren’t scared of dogs are they?”

“He’s doing a wee, Mummy. He’s weeing on my leg.”

“Trunk,” says Effie, watching proudly in the mirror. How’s that for a convincing performance? “The dog’s doing a wee on your trunk.”  

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Reduce, Reuse, Recycle, Relive

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As a wise man once said (okay, it was actually Bob the Builder): Reduce, Reuse, Recycle. That’s pretty much the mantra for writing / editing as well as responsible living, although we might want to add some more Rs to the mix: Remember and Rehash. Writers might be expert recyclers but we’re also (conversely) expert hoarders, and quite rightly so. Who knows when that snippet of eavesdropped conversation – “and the next thing we knew he’d jumped up on the table with the mayor’s shoe in his mouth” – will come in handy for one of our secondary characters, or when the smell of wet raincoats at the overcrowded school fair will prove just the thing for our dystopian scene-setting: Zillia sniffed the air, filling her fraying lungs with the scent of futility and despair. 

Fiction recycles the world around us – the people, the places, half-forgotten fragments of other stories – and splices them together again in a fresh, original way. It’s the lexical equivalent, say, of piecing a shredded magazine back together so that the strips form a completely new picture. Of course we’re talking infinite numbers of strips from infinite publications, with so many ways of rearranging them that if we took those famous monkeys away from their typewriters (no more Shakespeare plays for you guys today) and gave them Pritt sticks instead, the chances of them coming up with the same collage are… well, let’s just say they’d run out of glue long before they got to that point. 

“WHERE DID I PUT THAT PRITT STICK?” Photo by Public Domain Pictures on Pexels.com

Sometimes this literary recycling is a conscious choice and sometimes we’d be hard pressed to say what deep recesses of our brains we’ve dredged the component parts up from. And sometimes we become so involved in this recycling that it becomes a two-way process, with our fictional re-workings feeding back into real-life memories.

My short story, ‘The Mouth of Truth’ (runner-up in Writing Magazine’s Travel Short Story Competition) is a case in point. In real life I’ve been to Rome twice – both wonderful trips with nothing but happy memories. Okay, maybe I’d leave out the torrential downpours and the transport strike if I had my time again, not to mention that first night restaurant with the horrible frozen pizzas (you’ve got to be really unlucky to eat bad pizzas in Rome) but other than that I wouldn’t change a thing. What’s funny is that having reused my own experiences of the noise, heat and feel of the city to breathe life into a less happy fictional visit, I now ‘remember’ that trip just as vividly as the real-life ones. I can see the Mouth of Truth (below) both through my own eyes and through my protagonist’s, each view as real as the other. And when I think about crossing the Vespa-swarmed roads, it’s hard to be sure if they’re my memories or hers. Now that’s what I call recycling! 

Bocca della Verita  (The Mouth of Truth)

Life After Death

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The fabulous FlashBack Fiction, an online journal dedicated to historical flash fiction, prose poetry and hybrid work, recently ran a microfiction competition for WW1-themed flashes of 100 words or less. They’ll be releasing a new shortlisted story every day this week in the run-up to Remembrance Day.

You can read (and listen) to my highly commended entry here: ‘Life After Death’ by Jennifer Moore.

I’m really looking forward to reading the others over the next few days.

Room 101: Writers’ Revenge

ROOM 101

Despite studying George Orwell for A-level, many (many) moons ago, whenever I hear the phrase ‘Room 101’ I tend to think of the BBC comedy series rather than the torture chamber in Nineteen Eighty-Four.  (Yep.  All about the literary culture and class, that’s me…)

The television show has gone through a number of presenters and formats since its first airing, way back in 1994, but the general premise remains the same: celebrity guests must, by the persuasiveness of their argument, convince the host to consign their chosen pet hate to the titular Room 101.

Celebrity or otherwise, I’m sure everyone can think of something they’d like to see the back of…

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… but I thought it might be fun to try a writers’ version of the game.  What writing-specific bugbear would you merrily consign to the annals of history?

Here’s a few ideas to start you off…

  • computer updates… computer crashes… computers in general…
  • rejections (say no more)
  • typos that definitely, definitely weren’t there when you pressed ‘Send’
  • spotting your breathtakingly original idea for a novel (the one that’s going to make you a household literary name) in book form, in Waterstones…
  • one star Amazon reviews  
  • waiting.  Oh the endless waiting…

I’ve gone a bit old school with my own choice, mainly because I’m sitting here looking at one of the culprits right now, my blood pressure rising at the very sight of it…

…Yes, it’s pencil rubbers THAT DON’T RUB OUT!!  You know the kind I mean, those hard shiny ones that leave black smears all over your lovely new notebook *grinds teeth* without getting rid of a single mistake.  They’re the mistake, if you ask me.

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Why go to all the trouble of adding an eraser to a pencil if it doesn’t actually erase anything?  Why, oh why, oh why?  It’s probably a perfectly good pencil in every other respect – writing and sharpening like a good ‘un – but if it’s got an evil smudger for a rubber then it’s straight into Room 101 with it, as far as I’m concerned.  Harsh but fair, I’m sure you’ll agree…

Any other writerly suggestions out there to keep the poor feller company?

(Update – 28th March: If you’re feeling the Room 101 love (or hate) I’ve just spotted this competition from Brentwood Writers’ Circle who are looking for Room 101 entries of exactly 101 words, closing 30th April.)